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A podcast by Kirstin Pauka, professor in the Department of Theatre and Dance at the University of Hawai‘i at Mānoa

Précis:
Professor Pauka and some of her collaborators share their insights into the rehearsal and production process of training and performing Randai theatre. This was the third Randai production Dr. Pauka has directed in the Department of Theatre at the University of Hawaiʻi at Mānoa; UHM is the only place outside of Indonesia where audiences can see Randai theatre.

The Genteel Sabai: This February (2012), the UHM’s Department of Theatre and Dance presented the rare theatre form of Randai with its production of “The Genteel Sabai,” a folk dance-drama from the Minangkabau ethnic group in West Sumatra, Indonesia. Randai features beautiful traditional music and singing, martial arts, dance, and acting; and its signature pants-slapping percussion!

Randai Data:
Audiences reached:
Kennedy Theatre performances: 3924
School outreach lecture demonstrations:
Kamehameha Middle school: 400
Kaala Elementary, Wahaiwa: 250
Connections Public Charter School Hilo K-12: 350
Paauilo Elementary, Big Island : 300

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Co-Sponsored by the Women’s Studies Program, University of Hawaiʻi at Mānoa

Friday, April 1st, 12 Noon, Tokioka Room (Moore 319)

Presentation by Intan Paramaditha
Department of Cinema Studies
New York University

One crucial feature of the Indonesian cinema revival after the downfall of the New Order authoritarian regime in 1998 is the entrance of more women into the film scene. Within a relatively more democratic political climate, this coincides with the emergence of new women writers, artists, and activists who challenge the New Order gender constructions and frankly examine how women experience their bodies, desires, and sexuality. Today women have significant roles in film production, exhibition, and distribution as producers, directors, scriptwriters, and film festival organizers. This dynamic situation is a new privilege in the history of Indonesian cinema, as records indicate that there were only four women who directed and produced their films before 1998. Through this presentation, I would like to revisit the New Order film culture and trace how gender discourse was produced by state paternalism and cultural paternalism underpinning the male-dominated film scene. Contrary to the assumption that the New Order film artists were compliant to state power as a result of the severe control on cinema, I will show spaces of resistance in which the (male) artists posed their critique towards the official visions of nationhood and how opposing voices were articulated through gender metaphors. The two faces of paternalism, hence, operated in different ways, yet both have largely ignored women’s perspectives and limited women’s involvement as decision-makers in the New Order film culture.

Ms. Intan Paramaditha is a Ph.D candidate at the Department of Cinema Studies, New York University, currently writing her dissertation on film culture and sexual politics in post-Suharto Indonesia. Her writings on Indonesian cinema appear in Jump Cut, Asian Cinema, Criticine, and Encyclopedia of Women and Islamic Cultures. She also writes fiction and has published two collections of short stories in Indonesia.

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Internship experience at the National University of Singapore Central Library

Friday, March 4th, 12:00 pm, Tokioka Room (Moore 319)
Presented by Erenst Anip, Masters Student in the Department of Library Information Services (LIS)

In July 2010, Erenst went to Southeast Asia to be the LIS program’s first intern at the National University of Singapore Central Library where he was introduced to the inner workings of a premier university library in Asia. There, he learned about a different library system and organization. In this second talk story session, he will share his experience in ‘finding a missing librarian’ and being a ‘junior operative’, the library’s outreach and social media initiatives, KPIs and PMS, and Singapore’s favorite past time of ‘makan’. Update from the first talk includes internship experience and relevancy with our own library system.

Mr. Erenst Anip is a 2nd year LIS student from Indonesia. As a future academic librarian, he focuses on digital technologies and social media features to enhance the library’s appeal to the users while keeping abreast of (Southeast) Asia area studies. He is also the project manager of Hawaii’s Digital Newspaper Project, part of Library of Congress’ National Digital Newspaper Project (NDNP).

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12:00 p.m., Friday, 04 February 2011, Tokioka Room (Moore 319)
Presented by Dr. Michael Douglass, Professor of Urban & Regional Planning, Executive Director of the Globalization Research Center at UHM
Henry Mochida, Ph.D. student in Urban & Regional Planning, Associate Director for Digital Media and Filmmaking at the Globalization Research Center at UHM
Hao Nguyen, Ph.D. candidate in Urban & Regional Planning, Associate Director of the Globalization Research Center at UHM

This presentation is about a film which is the story of social life in Hanoi, a city in the midst of its 1,000th anniversary as the capital of Vietnam. Every morning Hanoians from across the city gather at Thong Nhat Park for relaxation, exercise, chatting and ballroom dancing. As the city enters a new epoch as an open market economy, the park has quickly become a target for global investment seeking to privatize public spaces. The film shows how park users share in creating and managing activities for social engagement and how they view the importance of the park in their daily lives. It also follows how NGOs and journalists in Hanoi mobilized Hanoians to confront the immanent threat to this vital social space.

Michael Douglass focuses his research on livable cities in Asia, with particular interest in Hanoi. His recent books include: Globalization, the Rise of Civil Society and Civic Spaces in Pacific Asia Cities (2010) and Building Urban Communities: The Politics of Civic Space in Asia (2008). He is the recipient of the Excellence in Research Award from the UHM College of Social Sciences (2008-2009 and 2001-2002) and was recently a Senior Visiting Research Scholar at the Asia Research Institute, National University of Singapore (2010).

Henry I. Mochida has dedicated the past 5 years in filmmaking for social research and planning. He is an award winning filmmaker with experience on over 100 productions with premiers in film festivals around the world. His research interests are on the image in the production of knowledge and in planning theory. He seeks to foster critical thinking and deliberative democracy through planning based filmmaking.

Hao Nguyen in his professional life prior to coming to UH was a researcher at the Institute of Sociology, under the Vietnam Academy of Social Sciences in Hanoi. His main concerns include issues of urbanization and environment, migration and urban poverty, decentralization, and public spaces and city life in the developing world. He was awarded the Harvard-Yenching Institute’s Scholarship from Harvard University to pursue his doctoral degree in Urban and Regional Planning at UHM.

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Friday, 22 October at 12:00 pm in the Center for Korean Studies.
Presented by Dr. Patricio “Jojo” Abinales, Faculty Asian Studies

Dr. Patricio “Jojo” Abinales grew up in the northern side of the Philippine island of Mindanao. He graduated with a degree in History at the University of the Philippines-Diliman (UP) and worked at UP for nine years as research associate and lecturer. In 1988, he was awarded the Cornell University Southeast Asia Program Fellowship for Southeast Asians and headed to Ithaca, New York to pursue graduate studies in Government and Asian Studies under the supervision of Benedict R’OG Anderson. He completed his PhD in 1997, and while writing the second half of his dissertation was hired as assistant professor at Ohio University’s Department of Political Science.

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Hawai’i’s strong connection with Southeast Asia is probably most easily felt through the influx of residents from the area. Many don’t realize that the University of Hawai’i is an extraordinary resource for Southeast Asian scholarship, the only university in the U.S. with Southeast Asianists in both art history and archaeology, a Center for Southeast Asian Studies plus related faculty in the history department. Noe Tanigawa found two specialists for this visit with “Four Thousand Years of Southeast Asian Art” at the Honolulu Academy of Arts. “Four Thousand Years of Southeast Asian Art,” works from Ban Chiang, Angkor and the Sukhothai Kingdom, continues at the Honolulu Academy of Arts through January 9th. Check www.honoluluacademy.org for details.

Link to podcast on Hawaii Public Radio

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12:00 p.m., Friday, 19 November 2010, Tokioka Room (Moore 319)
Presented by Dr. Miriam Stark, Faculty of Department of Anthropology – UH Mānoa

Angkor Wat was a Hindu temple, built to honor God and King in the early 12th century CE in northwestern Cambodia. Through the centuries, the Khmers never abandoned Angkor Wat as their spiritual center. This lecture will review our current knowledge of Angkorian period economy and social organization, and discuss findings from the 2010 field season.

Dr. Miriam Stark joined the University of Hawai’i-Manoa in August 1995 as a Southeast Asian archaeologist. In 1996 she began co-directing the Lower Mekong Archaeological Project (LOMAP) in southern Cambodia, and have continued work in this region over the last 12 years. She edited the journal Asian Perspectives, the leading archaeological journal devoted to the prehistory of Asia and the Pacific region, published by the University of Hawai’i Press, from 2000-2006. Since 2007, with funding from the Henry Luce Foundation Initiative in East and Southeast Asian Archaeology and Early History, Dr. Stark has directed the Luce Asian Archaeology Program.

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Although the Philippines started the “third wave” of democratization in Asia, its democracy has been perceived as unstable. The country experienced not a few coup attempts, scandals of the Presidents, and large scale rallies on the street. Even elections, a fundamental democratic solution to the conflicts in the society, have not been able to gain the confidence of the people due to various frauds. In the 2010 elections, Noynoy Aquino, son of the two national “heroes” of democratization, was elected new President. Did the 2010 elections bring the hope for democratic consolidation? Or was the same old game merely repeated? We will try to assess the impact of the 2010 Philippine elections.

TAKESHI KAWANAKA is Senior Research Fellow of the Institute of Developing Economies, Japan. His research interests are in political institutions and political economy of new democracies. He received his Ph.D. in political science from Kobe University, and conducted research at the University of the Philippines, Stanford University, and Ateneo de Manila University as visiting scholar.

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In 2009,

Yuya Yagira, Cannes Best Actor, 2004.
Originally uploaded by yasmin the storyteller.
Jangan lupa dan jangan lambat, tuan-tuan dan puan-puan, cewek-cewek dan cowok-cowok, chaps and chapesses, ladies and gentlemen.

See you all tonight, inshaallah, at the screening of ‘Nobody Knows’ (Daremo Shiranai), Yasmin Ahmad’s pick of the best film of 2004 by far, from anywhere around the world.

posted by yasmin at 8:32 PM Comments (139)

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Friday, February 19 at 12:00 pm in Moore Hall 319 (Tokioka Room)
Presented by Ronald Gilliam, Online Development Coordinator – Center for Southeast Asian Studies, Univ. of Hawaiʻi at Mānoa

In the past five years social networking sites have drastically gained in popularity, but many users have yet to discover the true power behind effectual social networking. Surprisingly, few academics and educational administrators use free social networking sites despite the fact that online communities such as Facebook.com originated with an academic focus. This presentation aims to showcase various social networking technologies and how they may be applied in an academic setting. The Center for Southeast Asian Studies social networking tools―Facebook, Twitter, LinkedIn, Flickr, and Vimeo―will be used as a guide for our exploration and we will discuss examples of good/bad social networking habits. In addition, advice will be given on various online sources to aid academics and educational administrators in adapting to new online methods of communication.

Ronald Gilliam is currently a doctoral student in Asian theatre at the University of Hawaiʻi at Mānoa and a Graduate Degree Fellow of the East-West Center in Honolulu, Hawaiʻi. He previously received his MA from the Department of Performance Studies at New York University and his BA in Theatre and Chinese Language from Butler University. As a Graduate Assistant in the Center for Southeast Asian Studies, Ronald is responsible for the continuing online development of the Center’s web presence(s). Since joining the center in Fall 2009, Ronald has redesigned the SEA website and incorporated numerous social networking strategies in order to create a dynamic community on the web. He freelances as a graphic designer and marketing consultant through Colordrop.

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